Throughout the album, Tweedy seems to be in conversation with his wife, his two sons, his parents, and himself in songs of introspection ranging from hope, sadness, and everything in between. Opening with "I Don't Want to Be So Misunderstood" expresses a cry into the abyss, an infantile response to to the mystery of life. Then "High As Hello" chills things out with a neo-psychedelic groove.
References to Wilco songs appear throughout. '"World Away" opens with "I only want to feel this morning/catch the avenue" may allude to "I assassin down the avenue" from Yankee Hotel Foxtrot. His lyrics vary from stream of consciousness word associations to the direct, as evidenced in his 2004 poetry collection, Adult Head. For example "Diamond Light Part I" starts out with the lines:
Why don't we pick one script
and read it
Where the Milk Has Dried
on the Throne.
Others are less abstract, for example on "New Moon"
Well I've always been certain nearly all of my life
One day I'd be your burden and you would be my wife
Musically, there's a heavy Lennon and McCartney influence. Tweedy has the pop sensibilities of Paul and the lyrical panache of John. "Low Key" and "Flowering." "Slow Love" includes a nice George Harrison like manta. But there's much more here: hints of Neil Young, Bob Dylan, and the Grateful Dead are everywhere.
Recurring themes include the search for maturity and wisdom. Where do we find strength to keep going? How do we accept mortality of ourselves and others? On the standout track "Summer Noon" Tweedy sings
Never leave your mother's womb
Unless you wanna see how hard
a broken heart can swoon.
The soulful music and fragile emotion on Tweedy make it one of the best albums I've heard in 2014. A few years ago the hipster scribes at Pitchfork snidely labeled Tweedy and Wilco as "dad rock." Maturity and grace may not be cool, but they're worthy pursuits in art.